Living in an age of surveillance, we feel a palpable tension between our desire for collective memory and the dangers associated with a traceable archive. Ziggy Kirch and Clem Oliver bring you untraced, a durational performance and reflection on the paradoxical practice of (anti)archiving. In their individual practices, Clem works with lens-based media and destructive post-production tools as acts of queering the archive while Ziggy works with painting and performance, consuming and destroying things he shouldn’t.
Nadine Sures 